* Ah, Big Brother. When I first watched this episode, I was an obsessive fan, having not missed an episode since I discovered it in the second week of the first series, five years earlier. Since then, my relationship with the show has changed somewhat, having spent seven years working on it – that’s why so many entries in this blog were posted at two or three o’clock in the morning during past Summers and Januaries. I’ve since moved on, but needless to say after seven years, it will always represent something very special and important to me, so revisiting the time that it crossed over with another big part of my life was a joy. I love Big Brother, and I love Doctor Who, and fuck anyone who sneers at either.
* Naturally, I’m somewhat of an expert on the format, and the depiction here is more or less perfect. The guard of honour for the evictee is a fantastic observation, and the subversion of “I’m coming to get you” becoming “we’re going to get you” is testament to both RTD’s more subtle talents and the cultural impact of Big Brother‘s iconography. It was glorious to hear the full Oakenfold mix of the theme again, but the pedant in me wishes to point out that tension beds and crowd noise would have been a more accurate portrayal of an eviction night. Oh, and hindsight tells us that “the one where they all walked out” was much earlier than Series 504.
* Interesting that Big Brother is the only survivor of the formats portrayed – The Weakest Link finished in 2011, and How What Not To Look Like bit the dust within two years of Bad Wolf. I love the Anne-Droid, by the way – her cruel and slightly-too-personal banter was spot-on. But I got to thinking about what shows would be used if this episode were made today. I doubt it would be Big Brother, because it doesn’t quite have the same hold on the public consciousness as it once did. Instead, The Doctor would be in the Bake Off Tent, with a demonic Paul Hollywood urging him to make cakes for his survival. Rose would find herself with The Osmonoid on Pointless, and Jack would perform for a panel of robotic judges on Bad Wolf’s Got Talent, hoping to avoid the dreaded buzzer-saws.
* Anyway, this story is doing the “consequences of a previous adventure” thing again, for the second time in a row. However, this is obviously on a much, much bigger scale than Boom Town. The Doctor causes “one hundred years of hell” after destroying the Jagrafess, and by the end of this adventure, despite Rose’s time vortex antics, a hell of a lot of people stay dead – the Daleks destroyed continents at a time. And poor old Lynda With A Y. She was lovely, but she was cursed to death the moment she asked The Doctor if she could join him, about twenty minutes into a two-parter.
* Guest cast spotting: The Johnson! The man who would soon be touted as a potential Doctor for every subsequent regeneration – he’s probably being touted as we speak. Jenna Russell! Now finding fame on Eastenders, but for a number of us she’ll always be the woman who sings the Red Dwarf theme.
* Fave lines that I’d previous forgotten: “They’ve had to cut back. It’s not what it was.” / “He’s a plant, they’ve only brought him in to stir things up.” (these two are comments I read thousands of times on Twitter over those seven years) / “Rodrigo. He owes me a favour. Don’t ask why.”
* The Doctor’s reaction to Rose seemingly being killed by Anne Robinson – shutting down with grief as the chaos around him fades down in the mix – has always stuck with me, and it still brings a tear to my eye. “And with that sentence you just lost the right to even talk to me” is another one that’s never left me, nor his rant at the Daleks at the end of the first ep, complete with another reference to Davina’s old catchphrase. This is so, so good.
* And the Daleks are just brilliant too. The familiar heartbeat we hear inside their spaceship. The POV shot closing in on Rose, echoing their first ever appearance. “THEY SURVIVED THROUGH ME”. “DO NOT BLASPHEME”. The silent “EXTERMINATE” as they kill Lynda With A Y. Shivers down my spine on all of these.
* Eccleston is awesome as The Oncoming Storm. I love the way the Daleks recoil from him – he knows his enemies so well, and just for a moment he seems to be all-powerful, all-knowing and unstoppable. Then he locks himself in the TARDIS and has a little moment to himself, thus remaining relatable as the flawed hero we know and love. Like all the very best Doctors, you sometimes don’t know which way he’ll go when faced with a dilemma, but the “coward every time” line really landed. Oh, Chris. You *were* fantastic.
* For the record, Jack saying his goodbyes was the first time my lip wobbled during The Parting of the Ways tonight. Then it was the conversation about using the TARDIS to escape, and how it had never even occurred to Rose. Everything about Emergency Protocol One is just eternally sad, and by the time Rose was talking to Jackie about Pete, I was gone.
* The regeneration feels like an actual death, which is kind of the way it should be, but it hasn’t been since the Fifth Doctor carked it. After witnessing the various ways that regeneration manifested itself in the classic series, I like that this episode established the “arms stretched, explosion of energy” method as the way that regenerations work in the new era. A great moment to end a near-perfect series. It was enough to make me go from an interested observer to a devoted fan twelve years ago, and despite being in SD and some of the CGI starting to show its age, the stories, dialogue and performances are timeless, and still as enjoyable as ever.
Ooh, it’s been a while since I did one of these:
SEASON AVERAGE RATING: 8.4
- Seasons/Series watched: 27 of 35
- Stories watched: 166 of 264
- Individual episodes watched: 709 of 827