The Stolen Earth / Journey’s End

Well, there is certainly a lot to process here, having experienced this rather epic tale for the first time since broadcast. And I haven’t had to tag this many returning characters since The Five Doctors (or possibly Dimensions In Time). There are more notes to make than I have time; brace yourself for a fuckload of small to medium sized bullet points.

* This is essentially the entire four years of the revival thus far in one go. It’s a pleasantly nostalgic greatest hits package, celebrating a truly brilliant period in the show’s history, but the joy is slightly tempered by the knowledge that they’re going to do all this again in five episodes’ time.

* Well, Torchwood are less sweary and sex-obsessed than usual. They seem to be over Owen and Tosh already, which should save some time come Series 3. Over on the other spin-off, poor old Maria and Clyde weren’t invited to the party, but at least Mr Smith is better now. The last time we saw him, he was intent on killing Sarah Jane and destroying the world, but this was probably not the occasion to dwell on that.

* The obligatory RTD Episode 12 celebrity cameos: Richard Dawkins! Why is he there doing spacey sciencey stuff? He’s a biologist; it should have been Brian Cox or suchlike, but then Brian Cox isn’t married to an ex-companion. Also, Paul O’Grady! And his dog! Ianto’s a big fan, even if the rest of us aren’t.

* Usually when the human race is threatened by aliens, they all band together and look after each other. This time, they react by setting fire to shit and looting, to the extent that nobody notices Rose running round with a big space gun, at least not until she starts threatening people with it.

* Sarah Jane’s reaction to the Daleks nearly got me going. All four former companions were scared, but it was especially emotional when it was Sarah Jane, hearing those voices again after so many years. The sheer terror they inspire in these characters really sells them as a threat. It’s interesting that these days, the villains are shown to react like that upon realising they’re up against The Doctor.

* It’s a shame that The Doctor spends so long poncing around with the Shadow Proclamation while the exciting Dalek stuff happens without him. While he’s there, he says “someone tried to move the Earth before” – I assume he’s talking about Dalek Invasion of Earth, but does the fact that he said “someone” mean that they’ve retroactively decided that Davros was behind that? If so, excellent.

* Speaking of whom, Davros is utterly excellent. He’s got a metal hand! Within moments, he’s shown admonishing a Dalek for sounding proud, keeping their emotions in check. Considering how much they veered from their fundamental principles in their last appearance, it’s a good statement of intent now that their dad’s back.

* The spooky woman in the Shadow Proclamation who tells Donna that she’s “sorry for the loss that’s yet to come” – that’s a dickish thing to do. If you’re a soothsayer and you can see that something terrible is about to happen to someone, either come out with it so that they can prepare, or just say nothing. Don’t vaguely allude to it and then fuck off.

* So, bees are aliens, and they abandoned the planet when they sensed its impending destruction? The last ever bee message was misinterpreted as a surprisingly sophisticated attempt to ingest nectar, process it and store the resultant substance in a honeycomb, but in fact the message was this: “So long and thanks for all the pollen”.

* I have SO MUCH TO SAY on the big Harriet Jones conference call. Highlights include:

  • Cribbins saying that webcams are “naughty”.
  • Sarah Jane telling Torchwood off for using guns, as it’s not suitable for Luke.
  • Martha’s mum getting a cameo for not particular reason, although it’s nice for her to get some closure on her abandonment issues from the fact that Martha subconsciously chose to teleport home.
  • The Mr Copper Foundation? Not sure he quite warranted a mention, but then everyone else from the last four years seems to be getting one.
  • Rose being jealous of Martha, in a neat role reversal.
  • While everyone’s firing up their supercomputers and their secret alien technology, Martha’s big contribution to the effort is forwarding on a phone number.

Wasn’t as keen on Harriet attempting to justify her Belgrano move on the basis that this latest alien invasion proves that you need to kill all aliens. However, her ultimate sacrifice does provide redemption her character deserved.

* When The Doctor joins the party, he says that “everybody except Rose” is there. Everybody? Has he forgotten the dozens of companions he had when his adventures were 4:3? Justice for Dodo.

* Then Jack fucks off to find the Doctor, abandoning Torchwood and leaving Gwen and Ianto to the Daleks, and then comes the big reunion. Despite not having been on board with the returned Rose thus far, it put a big grin on my face and nearly a tear to my eye. How perfectly tragic would have been if the Doctor actually regenerated at this point, so that she got so close but still never touched her Doctor again. The giant fuck-off “TO BE CONTINUED” that followed is a bit stupid, but kind of justified – it really is one of the greatest cliffhangers of all time.

* Sadly, the resolution to said cliffhanger is all very convenient, with each individual threat neutralised by a hitherto unmentioned safety net: Mickey and Jackie turning up (sans Pete, sadly), Torchwood’s magic bubble and The Doctor’s sneaky hand job. It’s not deus ex machina – very few people who use that term as criticism seem to know what it means – it’s just a bit of a shame. They got away with quick and easy cliffhanger resolutions loads in the old days, but that’s because there were at least three of them per story – with this one, the resolution would ideally have matched the epic nature of the set-up.

* A few random notes from the opening stages of Journey’s End: DALEKS SPEAKING GERMAN! It seems so right, for reasons obvious to anyone who’s watched Genesis. / The Doctor is not often this scared. This is good. / When Jack’s body got incinerated, how come his clothes didn’t?

* All these years later, I’m still not sure what I think about the Meta-Crisis Doctor. I mean, it’s a complete waste of a regeneration, considering he thinks it’s his penultimate one, but it’s kind of cool to have a double dose of TV’s greatest hero. That is until he starts talking like Donna. The only thing more annoying than Catherine Tate doing comedy is David Tennant impersonating Catherine Tate doing comedy.

* Davros wants to destroy reality itself. This is certainly in keeping with the core principle that every non-Dalek life-form must be destroyed, but it would be a Pyrrhic victory. Destroying all matter as well as all life would make them supreme masters of absolutely nothing.

* Other than that, absolutely everything Davros-related is amazing. The moment where he recognises Sarah Jane is even better than when she recognised him. On an intellectual level, I think Davros betters The Doctor for the first time; the argument that his companions turn into weapons is not something I would have necessarily agreed with, but Davros convinced me. His final victory indeed. The montage of all the people who have died in The Doctor’s name was RTD going all JNT on our ass.

* It’s the perfect build up to a big climax, with all the ex-companions’ individual plans failing one by one, and the TARDIS rising from the ashes. But then the day is saved by Donna suddenly becoming magic. I know I didn’t complain when it was a magic version of Rose fixing everything, but this is why this blog is a document of an experience, rather than a series of objective reviews – it may not be fair, but it’s how I reacted. I just don’t like Donna very much. And the only thing more annoying that David Tennant doing smug is Catherine Tate impersonating David Tennant doing smug.

* Which is a bugger, because everything else is very good indeed: Sarah and Rose exchanging pleasantries while shoving a malfunctioning Dalek around; Captain Jack’s cheery suggestion of a multi-Doctor orgy; Dalek Caan turning out to be a traitor. I actually shouted “YES!” when K-9 popped up to say hello.

*The Meta-Crisis Doctor is faced with the old do-I-have-the-right dilemma, but he presses the button without thinking twice. That’s not The Doctor. The proper Doctor offers to save Davros, and he’s right to later chastise Pretend Doctor for committing genocide. In his defence, he was forged in battle, like The War Doctor before him. Perhaps the process extrapolated and personified all the worst, most dangerous aspects of The Doctor, like the triplicator in Red Dwarf, or Richard Herring playing himself at snooker.

* Can you imagine the ecological damage that’s done by dragging the Earth from one end of the universe to the other? Nevertheless, it’s a joyous scene to end the episode… except that there’s still ten or fifteen minutes to go. We then get a long sequence of long goodbyes. Why exactly does he drop off Sarah Jane, Jack and Martha all in the same park? Ealing is nowhere near Cardiff.

* I’ve been trying to figure out whether Rose’s return diminishes the impact of her initial departure. I don’t think it does – I still cried like a baby when I rewatched it recently. It’s like how people complain that a cover version “ruins” a song, or a remake “destroys” a movie – no it doesn’t, because the original still exists. However, the beautiful tragedy of these two soulmates being forever separated is certainly altered by Rose being given a Doctor-shaped sex doll. It’s just all a little grubby – he’s not The Doctor, not the same man she fell in love with, but she’s happy to make do with a lookalike, even though he’s out there continuing his life without her? Nah. At the very least, we should have got to finally hear him – either of him – say “I love you” to Rose. That would have at least provided some level of genuine closure for the audience, if not the characters.

* Sadly, if predictably, the “a companion will die” prophecy turns out to be bullshit, as it was before and has been since. The memory wipe isn’t even a particularly stable metaphor for death – it’s actually saving her life. I found the sight of The Doctor enacting the procedure without her consent, while she’s pleading with him not to, a little disturbing. I mean, he’s doing the right thing, but Moff dealt with this issue a lot better with Clara.

* But at least this deed is a promise that Donna will never come back. Wilfred is damn right when he says “she was better with you” – he must be gutted to have to live with the old Runaway Bride Donna again. The permanently miserable Sylvia can do one and all, but Cribbins is just the best. Despite the high levels of emotion throughout, his goodbye to The Doctor was the only moment that made me shed a tear. Seriously, he’s one of the best actors the show’s ever had. Ever.

* Favourite Dalek lines: “The abomination is insane.” / “The males, the females, the descendants.” / “My vision is NOT impaired.” / “Exterminate Torchwood.”

So, what to make of all this, after comfortably the longest post in the history of this blog? Well, The Stolen Earth is one of the best episodes ever, but Journey’s End not so much. As has been the case for much of Series 4, I’ve found that it’s a lot easier to look past the faults now that so much time has passed – it’s not the “current” show any more, it’s just one brief chapter in a long history. Rather than having to worry about what state the show is in, or which direction it’s heading, I can just judge it on its sheer entertainment value. On that level: massive, massive win.

RATING: 9

And so I come to the end of a series that I thought I hated, but then when you look at the scores…

SEASON AVERAGE RATING: 7.5

  • Seasons/Series watched: 30 of 35.58
  • Stories watched: 198 of 269.67
  • Individual episodes watched: 751 of 834

…the average rating is actually higher than Series 2 (although admittedly, Fear Her is a massive statistical anomaly). I dunno. I still dislike Donna, and I’m definitely starting to go off Tennant by this point, but again, with so much water under bridge, I can now look past those annoyances and see what else each episode has to offer. I guess the conclusion is that there’s very little Doctor Who that’s without a significant amount of merit, but sometimes it’s just a case of taking a few steps back before you can see it.

And now, a short break for a wedding, to coincide with the first of revived Doctor Who‘s short breaks. Join me again in a few days to begin another voyage through a whole bunch of spin-offs and specials.

Smith and Jones

* This is an era that I have very strong memories of watching first time round, which is why I refuse to believe that it was just shy of ten years ago. It was a turbulent but very happy time in my life; I was preparing to leave uni, I’d just come out of a long term relationship, and I’d just started a new one that’s still going today. Much of my spare time was being spent at the flat of my friends who were flat-hunting when we watched Doomsday together. They celebrated the new series with a party, in which all the men wore what they’d wear if they were The Doctor, and all the women wore what they’d wear if they were companions. If we held that party today, I’d like to think we’d all be Doctors.

But anyway, this episode always brings back memories of that first communal viewing, right from the very start. I remember someone commenting on what they described as a “not cold opening”, following which we collectively coined the immortal term “warm opening” to describe any episode that doesn’t have a pre-titles. Similarly, I can’t see the Doctor’s demonstration of his time-travelling capabilities without hearing the heartfelt plea from a drunken Yorkshireman of “don’t cross your own timeline, you cunt”.

* Of course, the last episode to have a warm opening was Rose, and the parallels are brazenly apparent. We start small and humdrum, see the companion going about her everyday life, going to work, having something catastrophic happen to her work, and end up running hand-in-hand with The Doctor. It’s the revival’s first deliberately-designed jumping on point, and if the formula ain’t broke…

* I’m not as keen on the family this time round. Individually, they’re all perfectly fine, with the possible exception of the dad and his girlfriend, Stock Outdated Female Stereotype #4. But together, it’s just a big cacophonous mess, and not something I’d ever be interested in seeing more of. In retrospect, they were never used in the same way as Jackie and Mickey, and so there was no need to paint them with anything other than a broad stroke. The problem is that when the episode matches the beats of Rose so precisely, you start to compare the families directly against each other, and that’s not a fair fight.

* Anne Reid! dinnerladies alumni are always welcome in Doctor Who, and in fact in anything I ever watch. She was part of a duel threat with the Judoon, who I really quite like. They’re baddies in this story, but really they’re morally neutral – they’re just diligently carrying out their task, and other than their Vogon-esque devotion to bureaucracy and overzealous use of capital punishment, they don’t do any harm. There’s nothing wrong with those things in their culture, so they probably think of themselves as the goodies.

* Why does everyone start running away when they realise they’re on The Moon? Where are they planning on going? All they’re doing is using up more precious oxygen than is strictly necessary, the pricks.

* Martha is genetically engineered to be the perfect companion from the off. It’s like they’re working through a checklist of attributes to demonstrate: asking pertinent questions, risking her life in order to help out, being open-minded to alien involvement, appreciating the beauty of the universe, taking it all in her stride, trusting The Doctor a little too easily… she does all this within minutes of the hospital moving. Normally, it takes a few adventures for a companion to cover all these moments, and I quite like the change of pace. It feels like the show is acknowledging that the audience has just been on this long journey with Rose, and so by skipping ahead to the finished product, Martha feels like less of an imitation.

* While they’re at it, they also take the opportunity to get a little bit meta, by having Martha question things that fans would take for granted. She points out how daft The Doctor’s name is, and how pompous “Time Lord” sounds, and the theme culminates with all the “bigger on the inside” gags. It’s a sign of the production’s growing confidence – three years in, it’s no longer a fledgling new project, it’s an established part of the TV furniture once more.

* Fave lines that I’d previously forgotten: “Where’s he from, the planet Zovirax?” and “Since when did you watch the news? You can’t handle Quizmania.” Both of which are firmly rooted in 2007, but sod it, they’re both excellent references.

* Downsides? I could have done without The Doctor doing a little jig to rid himself of the radiation via his shoe. It could have worked if it had have been a little more deadpan, but Tennant is often in the habit of gilding the lily. Also, as was the case in New Earth, the kiss felt gratuitous and gimmicky. It worked when Rose and Eccleston kissed because it was the culmination of their relationship, but if you do it within the first half hour of them meeting each other, where do you go from there?

* Something which I don’t recall bothering me at the time, but which did tonight, was the fact that The Doctor is killed, the Judoon pronounce him dead… but then he’s not dead any more. In retrospect, this kind of business is a trend which started around this time. Telling the audience one thing and then telling them that the exact opposite is true basically amounts to a broken promise. It gets harder to become immersed if you start to not trust what you’re seeing, and therefore the overall stakes are lowered.

* Right at the end there, did The Doctor say “welcome aboard, Miss Jones” in a Rigsby-from-Rising Damp voice? If so, I heartily approve.

RATING: 9