I don’t understand it. There I am, happily watching a nice lightweight fantasy show aimed at 9-13 year olds, and then next thing I know there are tears streaming down my face. This was an extraordinary episode, easily matching, and indeed bettering, a great number of stories from regular Who.
The Trickster is a cracking invention, and he works so well as a recurring character because he’s essentially a What-If Machine. Whenever he turns up, you know you’re in for something weird and alternative-timeline-y, but it’s a different scenario every time; after tackling “what if Sarah Jane died as a child?” and “what if Donna never met The Doctor”, it’s now “what if Father’s Day happened to Sarah Jane?”.
It’s all there, right down to the heroic sacrifice via a car accident. It was obvious throughout that it was heading to the familiar conclusion, but that didn’t matter, because what happens when Father’s Day happens to Sarah Jane is that you get Elisabeth Sladen being incredible. While it’s entirely possible that my response is more emotional than it might have been were she still with us, it takes nothing away from the strength of her captivating performance.
Sarah Jane acts recklessly and selfishly, with all the arrogance and hubris of The Doctor at the worst of his excesses. And yet we’re always on her side, because the entire first episode is given over to establishing her reasons – she does the wrong thing, but you can completely understand why. It’s a universal theme; in one way or another, everyone’s either lost parents, is scared of losing parents, or has to deal with not having parents to lose.
Raw emotion is always bubbling under the surface, but there are plenty of fun moments to be had while exploring the past with Sarah Jane’s parents, such as Luke’s impeccable ability to count gobstoppers, or their distinctly 00s choice of pseudonyms. There was even a reference to “miners on Peladon”, which is admittedly not the most surprising Peladon reference I’ve seen this week.
It all led up to stonking cliffhanger, with a cheap but effective rendition of a destroyed Earth, bolstered by the Planet of the Apes inspired inclusion of a befucked Big Ben. And as a resident of Ealing for ten years next month, I appreciated the Greenford tube sign, even if the font wasn’t anywhere near correct. Thinking about it, that must have been Ace’s local station too; I wonder if she ever found herself on Bannerman Road at any point?
Oh, and I loved the mix-up with the police box, which even went as far as playing the appropriate bit of music from the main show. Funny, tragic, creepy, heartwarming; this story is very special indeed. And who was that I glimpsed in the next time trailer? I’m going to cry again, aren’t I?