Well, that was absolutely insane. The story of how it came to be is just as shocking as anything that’s in the show, with poor old Robert Holmes passing away, Eric Saward throwing a wobbley, and Pip & Jane Baker having to cobble together the final episode in no time at all, without being allowed any knowledge of the plan for how everything was supposed to tie up.
The result is obviously a complete mess, but I was impressed by how quickly the first part got on with revealing who The Valeyard was and that the trial is a complete sham, in order to create a whole new mini-adventure. This was achieved by the sudden reappearance of The Master, which I suppose is to be expected whenever there’s a desire to throw everything at the script just to see what sticks.
I was surprised to see Glitz again so soon – I was aware that he’s turning up in a future story, but his appearance here was part of a pleasing attempt to incorporate elements from all the component parts of the season into its conclusion. As well as taking Glitz from The Mysterious Planet, you also had the same one-inch-VT-shaped Macguffin, while the shadow of the Terror of the Vervoids conclusion was present throughout.
And of course Mindwarp is represented by the retconning of Peri’s fate, which didn’t bother me because I knew it was coming, but does detract from the boldness of her original exit. What I didn’t know was the detail that she’d been married off to Brian Blessed, which is absolutely hilarious. I’m sure they’ll be very happy together. I was a little disappointed at first that not many other questions about the reliability of the evidence were cleared up, but the more I think about the more I appreciate the opportunity to make my own mind up about what’s real and what isn’t.
Besides, there wasn’t really much time to go over too many specifics, as the last episode ended up with more things to wrap up than it could comfortably accommodate. Even so, they made things even more complicated by including so many intricate twists to the narrative. The depiction of the Matrix was certainly in keeping with The Deadly Assassin, although obviously not as good, despite the best efforts of the excellent Geoffrey Hughes. Multiple Geoffrey Hugheses, in fact. It felt like there were a few too many layers to the illusion, and so it ended up feeling a little disjointed.
This was partly due to a surfeit of potential villains – Glitz, The Master and The Valeyard – all with their own weirdly ill-defined and suspiciously flexible motives, and each double crossing the others at every opportunity. It was fun to be kept guessing as to just whose side Glitz and The Master were on – both in relation to The Doctor vs The Valeyard and to each other – but in the end I felt like I needed a diagram.
“Fun but complicated” seems like a good summary of both this segment and the season in general, but I want to emphasise that I did enjoy it a hell of a lot more than I thought I would. Colin has improved to the point where I think it was a mistake to sack him at this stage – you feel like one more season of developing in the same direction might have ironed out the remaining issues. That said, the improvements to this point haven’t gone far enough to stop him being my least favourite Doctor to date, so I can’t say I’m sad to see him go. It’s just weird that a Doctor’s tenure should end like that. Those are not brilliant last words.
SEASON AVERAGE RATING: 7.25
- Seasons/Series watched: 23 of 35
- Stories watched: 143 of 263
- Individual episodes watched: 653 of 826
Which I guess means that the serial The Trial of a Time Lord gets a 7 out of 10 overall. That seems fair. It also means that Season 23 is better than Season 22, but still well below the expected standard, which is also fair. But with the sad realisation that I’m hurtling towards the end of the classic era, I have but one classic Doctor to go, and it’s one that I’ve seen very, very little of before. I’m not sure what to expect, but I’m looking forward to it, even though it’ll be all over in as little as six weeks…