First of all, another new title sequence? Come off it now. I very much approve of the Doctor’s face making an appearance, but I’m afraid I was too distracted by the godawful new music to notice anything else. It’s way too busy, it’s like we’re back in the 80s. There’s a new TARDIS interior too, creating a clear line in the sand as if it were the start of a new series – it’s most peculiar that this happens when we’re supposedly mid-series. Having Christmas in the middle feels wrong, and contributes to the feeling that these are more like two separate mini-series.
Most notably, this is the first time Clara appears in a companion role, even though it’s not actually Clara. It’s a lot easier to get on board now that I’ve got to know her; at the time, the big mystery overshadowed absolutely everything, and it was impossible to know what to make of her without even knowing her motives. But now you can see that she’s just an inquisitive, brave and intelligent young woman, like any other companion, and it suddenly feels reassuringly conventional.
Well, other than the fact that she alternates between the slightly too posh sounding cockney you’d get in Mary Poppins, and actually being Mary Poppins. You’re never sure which is the pretend life and which is the real one, but nevertheless it’s fun to see her relationship with the Doctor develop. Not so keen on the snogging, which felt like they were just ticking off that particular Doctor/companion combo to get it out of the way. It did seem a bit sudden for the Doctor to go from a total recluse to giving the TARDIS key to someone he barely knows, so it must have been a hell of a kiss.
Another fun twist – and one that’s potentially quite apt to be revisiting given recent announcements – is that the Doctor’s part of a big gang again, with the Paternosters proving to be great company once more. Strax is the best one – the joke of him wanting to destroy everything never gets old, and the memory worm skit was a tremendous way to disguise a Chekov’s organism. Despite all the Doctor grumpiness, there was a high dosage of comedy throughout the episode – there was even time for a Sherlock parody, complete with sound-alike music. I admire the audacity to pull off such a meta joke on such a big stage.
With so much character work going on, the big returning villain was rather low down in the mix, and it left me yearning for a little more from the Great Intelligence. Richard E. Grant is much more suited to being a villain than being the Doctor, but I’d completely forgotten that he’s not actually TGI until right at the end, he’s just his servant for most of the story. It didn’t do a great job of explaining who or what TGI is – I had to wait until I’d seen The Web of Fear until I fully understood it, and indeed fully understood the references to the London Underground in this one.
The eponymous Snowmen are barely in it either; this episode was less about the scares and more about the human drama. That’s OK, because it does that well, but it means that the plot is a little undernourished. In the denouement, the Doctor is completely defeated with no escape plan, until all the snow miraculously turns into water and the Great Intelligence fucks off. The Doctor had no idea that was going to happen, and had no part in making it happen, so it feels very convenient.
Ah, but then again, now that we know that this version of Clara only exists because our Clara went back into the Doctor’s timeline to help defeat the Great Intelligence, the fact that her death helps solve the problem makes it part of the bigger story. This is what was meant to happen all along – it’s our Clara defeating the Great Intelligence in The Name of the Doctor by defeating him in The Snowmen. Our Clara made this happen.
My brain hurts.