SJA: Mona Lisa’s Revenge

This was completely batshit, but in a good way. The Mona Lisa has never struck me as somebody who was particularly in need of revenge, but then I do share Luke’s lack of certainty as to why it’s considered so much more beautiful than all other paintings. With Luke, you can blame the fact he was created in a lab, but I’m afraid I’m just a philistine. Besides, it’s probably a fake anyway.

It’s becoming clear that this series is beset with a few limitations – it’s possible that they’re being too ambitious, but then that’s to be applauded. It’s a shame that in this story they couldn’t afford to show us the big monster that they’d spent all episode building up, and it feels like there’s a slightly higher ratio of cheaper episodes to balance out the big blockbusters this time round.

Luckily, the show usually gets around these limitations quite well, often in surprising ways. There’s hardly any Sarah Jane in this one, but her absence isn’t too conspicuous because it was inevitable that *someone* was going to get trapped in a painting. By the way, I’m assuming that the police officers were all trapped in Constables, am I right? Is this thing on?

Similarly, it’s bullshit that K-9 has once again been left out of the action, with Sarah Jane’s explanation that he’s not allowed out until Luke tidies his room being right up there with all those hastily-written excuses from Tom Baker’s days. But at least they found a way to get him involved at the climax, thanks to Clyde’s sketchbook containing Chekhov’s drawing of a robot dog.

And the one thing they’re not scrimping on this series is guest stars. Not only do we have George from Drop The Dead Donkey as the curator, Mona Lisa herself is none other than Suranne Jones, although I wasn’t sure it was her at first due to the slightly freaky lack of eyebrows. It’s a very northern portrayal of the Mona Lisa, with some rather eccentric and cartoonish tendencies, but a great deal of fun. Not quite hitting the heights of her later performance as an anthropomorphised objet d’art in Doctor Who, but nevertheless well suited to the purpose.

Finally, I wasn’t sure what to make of Miss Trupp, a somewhat stereotypical frumpy middle-aged spinster, desperately in love with her boss who barely notices she exists. A story we’ve all seen thousands of times before, and one which hardly does much to challenge the patriarchy. But once again my expectations were confounded when, after the man finally realises he’s in love with her too, she calls him a creep and tells him to get stuffed. Go on, Miss Trupp.

Actually, one more thing: why did BBC News send Entertainment Correspondent Lizo Mzimba along to cover an art theft?

RATING: 7

This series of Sarah Jane Adventures is not yet over, but as I’m going through all of this in as precise a chronological order as possible, it’s the traditional mid-November Doctor Who special next. Irritatingly, it might be a while before I find time to watch it, due to work and social commitments, but hopefully not too long. After all, I figured out the other day that if I stick to the current pace, I’ll be up-to-date by around Christmas, and that would work out very nicely…

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