A complete change of tone now, with the return of The Sarah Jane Adventures, which this time comes with a little briefing at the start of each episode, recapping the premise of the show. Fair enough for the first episode back, but it seems it’s appended to the start of every episode from now on, and that’s going to get annoying pretty sharpish. I didn’t see the need for it in the first two series of Torchwood either, but this one is longer.
Anyway, this story follows the template set by the previous series opener in kicking things off with a guest monster from the main show. With it being the Judoon, it’s perhaps not quite as exciting as when it’s a Sontaran, but then the aim seemed to be to use it for laughs rather than scares. This particular Judoon sounded like the Cookie Monster, but the comedy worked, especially the slavish devotion to obeying all laws, including those regarding paying and displaying.
The scares were provided by the eponymous prisoner, who promptly took over Sarah Jane’s body. Or, as Luke unfortunately phrased it at one point: “the prisoner’s inside my mum”. Lis seemed to be having a lovely time playing the villain for once, but dare I say it, it wasn’t her strongest work. It all seemed a bit route one, hissing and shrieking like a cross between an Ice Warrior and Angelica Houston in The Witches.
In addition to all of this, there was this whole extra bit with nanobots poised to destroy the world (thanks in part to Jason’s dad from Corrie doing an awful American accent), but that threat never felt real because so little time was spent on it. A lot more could have been done with the concept, so why waste it when you’ve already got so much to deal with? Similarly, the scenes with Rani’s parents getting into Judoon-based scrapes were funny, but also superfluous – every element was OK, but it could have been better if the others weren’t jostling with it for screen time.
Also, an awful lot of the threats in this story were resolved by Luke being a genius and pressing the right buttons in the nick of time. When you’ve got a character with that much ability, you have to come up with problems that can’t be solved by just wheeling him in and saying “fix it”, otherwise there’s just no tension.
Besides, wouldn’t it have been better for Sarah Jane to use her special skills – compassion, determination and mental strength – to break free of the Androvax herself, rather than it deciding to let her go? As it was, she was just a victim and a bystander in this story, and I don’t feel I’ve got my complete Sarah Jane fix.