Army of Ghosts / Doomsday

Tardisodes: The first is the best one yet – a young journalist pieces together clues about Torchwood, before getting too close and ending up being taken away by men in white coats. The second is an emergency news bulletin detailing the Cyberman invasion, in which everything starts blowing up around some poor newsreader, who then gets exterminated by a Dalek. A very strong end to the noble Tardisode experiment, and overall they’re a fun and worthwhile venture. It’s a shame that, save for the occasional online prequel during the Smith years, such a thing didn’t continue.

* We’re entering a phase where I have really clear memories of when and where I first watched these episodes. Army of Ghosts went out just after England had lost on penalties to Portugal in the World Cup Quarter Final. I was emotional, angry at Cristiano Ronaldo for winking after Rooney’s red card, and pissed as a fart. For the finale, two of my very best friends came round to watch it at my student house, after they’d spent the day hunting for the flat where I’d end up watching most of the next series. By the end, the scene was of three young men who knew each other quite well, but not as well as we soon would, sitting next to each other on three rickety chairs in front of a tiny portable TV, with none of us daring to break eye contact with the screen in case the others saw us crying.

* It’s odd to revisit the original incarnation of Torchwood, considering how little it resembles Captain Jack’s gang of ne’er-do-wells. These guys might be sinister and selfish, but at least they’re vaguely competent, and at least Tracy-Ann Cyberman isn’t the worst woman from the second series of Big Train to appear in this episode. There are little flashes of the Torchwood theme in the incidental music when the Doctor is ghost-hunting, not that we’d have known it at the time. Speaking of the ghost-hunting, why in the name of FUCK does Tennant say a line from Ghostbusters in a Scooby Doo voice? That has been irritating me for over a decade now.

* Hey look, it’s Martha Jones! Flirting with a bloke over MSN, like a early-to-mid-00s idiot. If this was the classic series, she’d survive the story and leave in the TARDIS at the end, rather than the team going to the effort of inventing a new character for a guest actress they liked.

* This is the first finale to contain the briefly traditional raft of celebrity cameos. D’you remember Trisha? I seem to recall she was a bit old hat even by 2006, having moved to Channel 5 and been replaced on ITV by Jeremy Kyle. Barbara Windsor is the highlight, although her (well, Peggy’s) joke about spirits doesn’t quite work – if the only spirits allowed in the Queen Vic are gin, whiskey and vodka, then that’s a shit bar.

* I love the gratuitous little scene of the kid running upstairs, only to find a Cyberman waiting for him. That’s always stuck with me as something that would have terrified me if I was ten years younger. Even though I knew what was coming, I had a HUGE grin on my face as the Daleks descend from the void ship. I jotted down “best cliffhanger ever” in my notes – I was wrapped up in the moment, clearly, but even now I’m struggling to recall a better one.

* RTD may well be the best writer of Dalek dialogue of all time. With the combination of this writing, the vocal performance and the brilliant props, everything is just right – they’re great when they’re being menacing, but the functional dialogue amongst themselves also shines, and Russell is able to make them humourous without detracting from any of this. The bickering with the Cybermen is just extraordinary.

* It’s astonishing just how many returning characters there are. That one from Byker Grove didn’t have much to do, other than over-enunciate “and so did we”, and point out the existence of lifts. It was genuinely nice to see Mickey again, and apt that he got one last chance to fuck everything up for everyone when he activated the Genesis Ark. The Jackie and Pete reunion was the first time I cried, but luckily there was a sharp jolt into some massive pitched Dalek vs Cybermen vs Torchwood battles, so I was able to compose myself temporarily.

* You can take it as read that I enjoyed everything Dalek-related, and most things Cybermen-related – even though they’re not proper Cybermen, and I still don’t think they’re a patch on the originals, they’re better here than they ever were in the 70s or 80s, perhaps because the Daleks are around to pick up the slack. The one bit that I’m really not sure about is when Tracy-Ann Cyberman turns up again, and repeats her new-found catchphrase whilst crying oil. I’m not necessarily opposed to a converted human regaining control of their Cyber body, but I found it a bit jarring in the moment, and the tear was daft.

* Predictably, I was a big blubbering mess by the end, perhaps more so than I was the first time, given there was no need to disguise it. This is despite knowing that the big goodbye isn’t quite as final as seems, and that the “this is the story of how I died” motif is a bit annoying when you know how misleading it is. But the whole thing is just so deeply sad. They’ve been ripped apart and they love each other, but The Doctor can’t even say it. Rose has annoyed me in recent episodes, but you never forget your first companion, and she was mine. I loved her too.

* Nearly eleven years later, I once again found myself croaking “fuck off, Catherine Tate” through a veil of tears. I didn’t like her as a performer then and I don’t now, but I’m going to do my best to re-assess Donna with an open mind when the time comes. But regardless of any of that, that final moment is horribly misjudged, and it damn near undermines the whole ending. I wish they’d have had the nerve and the confidence to end on a sad note, without feeling the need to add a hook to get people to come back. They would have done anyway – you’ve created this brilliant, thrilling, emotional climax, so just let it breathe.

* Fave lines that I’d previously forgotten: “Torchwood refuses to go metric.” / “Neither did we need him alive.” / “Social interaction will cease.”

RATING: 10

SEASON AVERAGE RATING: 7.2

  • Seasons/Series watched: 28 of 35
  • Stories watched: 177 of 264
  • Individual episodes watched: 723 of 827

That’s actually a lower average rating than most of the original run, but that’s mainly due to Fear Her, and to compare a new series to an old season is not like-for-like anyway. But still, not as good as the first series, but a damn sight better than what’s coming next. Brace yourself. I know I am. Expect weevils and bollocks and shit.

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