The Seeds of Death

Sometimes, I get to a serial title that I recognise as being iconic, but with very little prior knowledge of what to expect. I therefore assume that it’s either notoriously good or notoriously shit. The last time that happened was The Celestial Toymaker, and that turned out to be bobbins. So what would I make of this one?

I bloody loved it. So much fun, with a bonkers plot that proved to be absolutely gripping – I found myself wanting to watch the whole lot back to back, but I stayed strong. There’s so much to enjoy here. The TARDIS lands in a space museum (not *The* Space Museum), then the Doctor flies a bloody big rocket to a moon base (not *The* Moonbase). This is a joy – to see him flapping about trying to do “proper” space travel. Later on, he spends a good fifteen minutes having a one-man foam party. It’s a good serial for Troughton faces.

The Ice Warriors are so much better than their slightly underwhelming first appearance. Not that they were rubbish before, it was just that I didn’t feel the execution matched the description. Here, though, they’re a lot tougher – seemingly unstoppable at times, despite only being able to shoot straight when they were aiming at guest characters. Having different ranks of Ice Warrior worked really well, as it gave their actions more structure, and allowed for their complicated plan to be communicated properly.

I enjoyed the slow reveal of this plan, with all the various measures they had to take in order to make Earth hospitable for them, and our heroes thwarting them one-by-one. One thing I didn’t quite buy was how T-Mat (another bit of the mythology making its debut) had eradicated all forms of transport despite there only being machines in a handful of world capitals. Did the whole of the UK just relocate to London?

That’s a nitpick, though – I happily accepted it whilst watching, largely because I was engrossed by the quality of the directing. It’s so easy to lump all the black and white stuff together, but by this stage we’re really seeing work that wouldn’t look out of place later on in the original run, were it not for its lack of colour. Michael Ferguson’s work is stylish and pacey, and – combined with some great music – creates a menacing and gripping atmosphere.

The supporting characters are good too, particularly the doddery old rocket scientist and Fewsham, who really is a brilliant example of a slimy, cowardly shit. It seems like a lot of elements came together for this one, but really I think what’s setting this season apart is the fantastic combination of lead characters. I’ve banged on about Zoe endlessly, but her presence is also bringing out the best in Jamie – while she’s close to being The Doctor’s intellectual equal, that’s pushed Jamie to be his equal in terms of nous, bravery and moral fibre.

He’s learned all of this from the man himself, and we’ve been there every step of the way. I’ve spent so long thinking about how I’m going to miss Troughton, I’ve only just realised that I’m *really* going to miss Jamie too. He’s like no other companion – the sheer length of his tenure has made him feel so integral to the show.

But still, I won’t have to worry about that for another couple of weeks. Next up – the last of the recons…

Oh, one last thing. I had no idea that this was an Ice Warrior episode until I took the DVD out of the Revisitations slipcase and saw one on the cover. (Lovely cover as well, if you’re reading, Clay.) It’s completely and utterly unavoidable, but it’s a shame that it’s not possible to be completely spoiler-free for this journey. I’d love to know how long it would have taken me to figure out the surprise. Now I’ll never know if I was wrong.

RATING: 8

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