At this stage in Who history (Whostory, if you will), there seems to be a willingness to play around with the format wherever possible, and to keep everything as different as possible from serial to serial. This sometimes works well, such as the big time hop in the middle of The Ark, and sometimes not so well, like the episodic riddles of The Celestial Toymaker.
To this end, The Gunfighters is interwoven with Nurse Gladys Emmanuel singing a hugely repetitive song about what’s just happened on screen. I quite like it in places, especially when it’s used to give important scenes a bit of breathing space. But it would have been far more effective if it had been used more sparingly – it did begin to grate by the end of the first episode.
And really, the story doesn’t need a gimmick – it’s nothing special, but it’s solid enough, and it really improves with the introduction of Johnny Ringo. His senseless murder of Charlie the barman caused me to utter an expletive that may have caused me to be arrested in 1966.
The main thing you take from The Gunfighters, though, is utter disbelief at how terrible all those American accents were. Those stuck-up sixties actors simply couldn’t be anything but plummy in front of a microphone. They tried to fight it, but to no avail. A shame, as it does overshadow the whole production somewhat.
According to the “next time” caption, it’s Dr. Who and the Savages up next. I’m going to miss having individual titles for each episode – presumably cliffhangers will go straight into the credits, rather than having a “next time” slate from now on. This is just the kind of exciting development that makes this project worthwhile.